Sunday, 29 July 2007

“How To Draw Everything (Book Review)”

In the last posting, I reviewed How To Draw Anything (Book Review), by Mark Linley (published by Clarion). This is one of the best learn to draw books I’ve seen so far.

The drawing course structure is clear-cut and should be easy enough for anyone to follow. The idea is that you copy the illustrations - with such a simple strategy you cannot fail.

For a beginner, ‘How To Draw Anything’ is a must buy at £1.99 (I’d pay more)… you don’t need high drawing skills to begin with… the mechanical structure almost guarantees success.

However, as always, there is a big ‘BUT

The question is...

When you have finished copying all of the drawings in the book…

“What do you do next?”


Although the book title suggests you can learn ‘How To Draw Anything’…

“Are you going to be capable of drawing anything more than you’ve been shown?”

The likely answer is…

“No, I need more help”

Today’s book for review is “How To Draw Everything”, by Barrington Barber (published by Capella).

Here, the title is even more ambitious… you are being promised the dream of being able to draw “everything”

"Is that possible?" Surely, not!

Before opening the pages, I suspected that I was going to be disappointed. I am glad to say that…

How To Draw Everything is unbelievable

Barrington Barber seems, quite definitely, capable of absolutely anything… the 352-page book is crammed with top quality illustrations that prove it…

The book is so full of drawing information that it is almost impossible to tell you enough about it… it covers everything that you would want to know.

You’ll find information about…
  • Drawing 3-d shapes and shading them to give substance and texture
  • Perspective construction
  • Technical aids… Grids, camera obscura and camera lucida
  • Proportions and foreshortening

Moreover, Barrington’s superb drawings show you how to distinguish between a pinecone and a wine glass.

He shows you…
  • Garden watering can
  • Bowl of fruit
  • Whicker basket
  • Boots and shoes
  • Bananas
  • Brass candlestick
  • Headphones
  • Leather satchel
  • Wooden toy train

There are still life drawings of…

  • Violin and metronome
  • Jacket draped over a chair
  • Room interiors
  • Bicycle
  • Motorcycle
  • Car
  • Boat

And masses more…

Perspectives show you how to construct…
  • Town scenes
  • A church
  • Street scene

And there’s…
  • Human architecture
  • Simplified animals
  • Movement
  • Riverscape
  • Seascape
  • Lakes

You find about…

  • Water and reflections
  • Earth and rocks
  • Sky and cloud formations


Yet, the most important message Barrington can give you is contained in the first few words of the book…


“Learning to draw is not difficult. Everyone learns to walk and talk and read and write at an early age, and learning to draw is less difficult than all that…”

Doesn’t this sound reasonable?

“Drawing is merely making marks on paper which represent some visual experience…”

Pretty obvious?

"All it takes to draw effectively is the desire to do it, a little persistence, the ability to observe and a willingness to… Carefully correct any mistakes

Ouch! That hurts!

“This last point is very important as mistakes are not in themselves bad… Regard them as opportunities to get better… and always correct them

Barrington Barber, in those few words of introduction, has told you all you need to know about yourself.

In How To Draw Everything, you are given…
  • First stages
  • Object drawing and still life composition
  • The experience of drawing
  • Form and shape
  • Forms of nature
  • Figure drawing and portraiture
  • Styles and techniques
  • Composition


Finally, Barrington also recommends you look at Old Masters drawings, including…

  • Ancient Greek art
  • Leonardo Da Vinci
  • Raphael
  • Michelangelo
  • Rubens
  • Hans Holbein The Younger
  • Rembrandt (a favorite of mine for his drawings)
  • J M Turner (magnificent)

Isn’t that what you need?

Isn’t that what you want to know about drawing?

How can you top all that? I know I can’t match that in a book of 352 pages for only £1.99 (even the publishers price of £5.99 is low)

And, in the full knowledge that there’s a whole lot more I haven’t mentioned…

So, for now…

I’ll see you soon

Michael

p.s. I suggest you buy both books, How To Draw Anything and How To Draw Everything (use How To Draw Anything first)

p.p.s. Typically, as you might expect, I find that Amazon doesn’t stock this particular book… so, in the next posting I’ll give you a list of Barrington Barber titles available at the time of writing.

Saturday, 28 July 2007

“How To Draw Anything (Book Review)”

There are hundreds of art books. In Drawing… First Steps To Becoming an Artist I reviewed Mike Chaplin’s book, as found in Bookthrift bookshop. Typically, the first book I reviewed cannot be found at Amazon.

Fortunately, you can be confident that any drawing instruction book of his will be worth getting… with the high quality of Mike’s drawing and his obvious enthusiasm.

A search at Amazon gives you “The Complete Book of Drawing & Painting: Essential Skills and Techniques in Drawing, Watercolor, Oil, and Pastel

Today’s book review is very different. It is one of 4 books I bought on the same day…

How To Draw Anything” by Mark Linley (costing only £1.99).

Mark gives a very structured, down to earth, step-by-step approach to learning how to draw.

This is definitely a book where you start from the beginning. It never forgets that every person who wants to draw is not naturally confident with their ability.

I quote from the first chapter ‘You Can Learn To Draw’…

“Yes you really can! Many people think that learning to draw is difficult if not impossible. If would be artists treated the subject as fun and went about it in the right way, it could be possible for nearly everyone, like learning to drive. At first it may seem hard, but it isn’t if the basic instruction is correct”

So…
  1. Are you going to treat learning how to draw as fun?
  2. Is ‘How To Draw Anything’ going to give you correct basic instruction?

Only you can answer question 1.

However, I can answer Question 2…

For a beginner the answer is “Yes!

I completely agree with the structure of the course… you are taken through easy stages beginning with LANDSCAPE drawing…

From the start, Mark Linley does not mess about… Fig. 4 on page 11 shows how 3 line weights can show foreground, middle ground and distance…
  • Heavy line thickness for foreground
  • Narrower line thickness for middle ground
  • Thin line for distance

This is a great start that I hadn’t thought about.

Understanding how to distinguish distance is vital to good landscape drawing…

Fig.5 illustrates the difficulty you will face. Here an extended landscape is shown. Once again it is a line drawing. The problem is that the drawn lines don’t distinguish between foreground and distance… the line weights are exactly the same for each line.

However, In Fig. 6, Mark shows you a technique that helps you overcome the problem found in Fig. 5... HATCHING (a series of closely drawn lines that fill a shape)

Personally, having spent 20 years on a drawing-board, as an Engineer Draughtsman, I don’t like to use hatching in my artwork… it reminds me of techniques I want to escape from. Yet, there can be no doubt that the way Mark Linley uses hatching will make it easy for you to quickly create effective landscape drawings.

Mark moves you quickly on with…
  • Simple building structures (bridges)
  • Trees (something I often have difficulty with)
  • Hills and mountains
  • Farm buildings and cottages
  • Waterscapes / seascapes, including boats

Be A Good Composer’ will be an important chapter to any keen artist. It discusses how an artist’s viewpoint (sitting down or standing) changes the finished picture. Mark shows you what is right and wrong…

“He shows you the common landscape drawing mistakes you will make”

And, he shows you how to make a tool that helps you see what is in front of you…

A simple grid

From Chapter 10 (page 80), you move into how to draw animals…
  • Sheep
  • Cats
  • Squirrels
  • Horses
  • Dogs
  • Birds

Here's where the difficult to draw stuff begins...
  • Chapter 18 (page 145) starts with drawing people… You are shown how a simple shape can transform into a person’s head.
  • Chapter 19 (page 152) concentrates on nose and lips
  • Chapter 20 (page 160) looks at eyes and ears
  • Chapter 21 (page 169) examines hair styles (Fig. 153 is impressive, showing a girl with long flowing hair)
  • Chapter 22 (page 176) works on hands and feet
  • Chapter 23 (page 184) arms and legs
  • Chapter 24 (page 193) concentrates upon the body

To bring the human anatomy together, Chapter 25, spends time looking at posture (how people sit, stand and lie down), working with life models and how clothing affects body shape.

And there’s more in this 286 page book… it includes a section about ‘How To Draw Cartoons’

‘How To Draw Anything’ is a compilation from 5 other books…
  1. The Right Way To Draw
  2. The Right Way To Draw People
  3. The Right Way To Draw Landscapes
  4. The Right Way To Draw Animals
  5. The Right Way To Draw Cartoons

As good as ‘How To Draw Anything’ is, it can’t possibly show you how to draw absolutely everything, but…

“I can recommend Mark Linley for the simple, almost mechanical, process he gives to help you learn to draw… It sure makes a great starting point!

See you soon

Michael

p.s. Lucky break! I looked at Amazon and there were 108 new and used copies of ‘How To Draw Anything’ available (at the time of writing) Price £1.99 (New)

p.p.s. Ebay also had plenty of copies (Warning - you could pay more than at Amazon)

p.p.p.s. Each of Mark Linley's other books (listed above) are also available at Amazon, along with others not listed.